Streaming has completely changed the way I experience media. I remember having a growing collection of DVDs and CDs that took up shelves in my bedroom. Today, everything I listen to or watch is just a tap away, whether it's Spotify, Netflix, or another app. The convenience is incredible. I can jump from a Korean drama on my laptop to a Spotify playlist while commuting. But as much as I love the access, I've started thinking more about what this shift really means, especially for the artists behind the content (Baran, 2022).
One of the biggest things that concerns me is how creators are being compensated in this new digital world. For musicians, streaming platforms offer exposure but very little income. Artists on Spotify often make less than a penny per stream, which means even millions of plays might not pay the bills (Dent, 2022). And for filmmakers, the economics of streaming have thrown the whole Hollywood model off balance. During the pandemic, studios began prioritizing streaming releases instead of traditional theatrical debuts, which changed how films earn and how audiences experience them (Shaw, 2021). As someone who genuinely values good music, storytelling, and in-person interactions, I worry about whether this model is sustainable long-term.
That said, streaming has opened some incredible doors too, especially when it comes to global content. I watch a lot of anime and Korean dramas, and I always keep the original audio on with English subtitles. There's something powerful about hearing the actors' real voices, even if I don't fully understand the language. Over time, I've picked up bits and pieces of Korean and Japanese just from watching so much. It's not just entertainment anymore; it's an education and a cultural exchange in one (Defanti & Arvidsson, 2019).
What's cool is that I'm not the only one. Subtitles and dubbing aren't just accessibility features anymore, they've become essential tools for people who want to explore international media. Closed captions help people with hearing loss, sure, but they also help language learners, multitaskers, and anyone watching with the volume down. This shift in expectations shows how far we've come. Audiences no longer think of subtitles as niche, they expect them (McQuail & Deuze, 2020; Wilkins et al., 2021).
It also reminds me of my mom's story. She immigrated from Haiti and learned English by watching American cartoons and listening to music from groups like ABBA. TV and music weren't just background noise for her; they were how she learned to speak, understand, and connect with the culture around her. She is now a retired nurse and a U.S. citizen who speaks better English than I do. That really stuck with me. So now, when I watch something in another language with subtitles, I think about how that same process is happening for other people across the world right now.
My Mom's Favorite ABBA song:
Technology has definitely pushed media toward more inclusivity. With features like multilingual support, dubbing, and global streaming deals, it's easier than ever for people to feel seen and heard, no matter where they're from (Gaudreau & Akindele, 2021). While not every show or movie gets it right, I still think it's progress. Even imperfect stories can spark dialogue and shift perspectives. For me, streaming has not only made it easier to access content, but it's also made me more open-minded, curious, and aware of cultures outside of my own.
So yes, I do miss the feeling of holding a physical CD or flipping through a DVD menu. But the tradeoff, being able to explore the world through stories, sound, and subtitles from my living room, is something I wouldn't give up. I just hope we keep working on the balance between access and fairness, because behind every episode and track is someone who deserves to be valued for what they create.
References
ABBA. (2009, October 8). Dancing Queen (Official Music Video) [Remastered in HD] [Video]. YouTube. https://youtu.be/xFrGuyw1V8s
Baran, S. J. (2022). Introduction to mass communication: 2024 release. McGraw-Hill Higher Education.
Dent, S. (2022, January 25). Spotify still only pays most artists less than a penny per stream. Engadget. https://www.engadget.com/spotify-royalty-rates-artists-less-than-penny-185658955.html
Defanti, A., & Arvidsson, A. (2019). Introduction to digital media. Wiley.
Gaudreau, J., & Akindele, A. (2021). The Impact of Streaming Services on the Entertainment Industry: A Case Study of Netflix. International Journal of Business and Applied Social Science, 7(7).
iradincer. (2025, July 28). Close up of bowl of popcorn and remote control with TV works on background [Stock photo]. Envato Elements. https://elements.envato.com/close-up-of-bowl-of-popcorn-and-remote-control-wit-B3YBX44
McQuail, D., & Deuze, M. (2020). McQuail’s media and mass communication theory. SAGE Publishing.
Shaw, L. (2021, May 26). Here are the ways the pandemic changed Hollywood. Bloomberg Businessweek. https://www.bloomberg.com/news/features/2021-05-26/pandemic-and-entertainment-how-hollywood-has-been-changed-by-covid
Wilkins, L., Painter, C., & Patterson, P. (2021). Media ethics: Issues and cases (10th ed.). Rowman & Littlefield.



